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Showing posts with label Lifestyle. Show all posts

Cellar victim Kampusch raped, starved in film of ordeal






VIENNA (Reuters) – A new film based on the story of Austrian kidnap victim Natascha Kampusch shows her being repeatedly raped by the captor who beat and starved her during the eight-and-a-half years that he kept her in a cellar beneath his house.


Kampusch was snatched on her way to school at the age of 10 by Wolfgang Priklopil and held in a windowless cell under his garage near Vienna until she escaped in 2006, causing a sensation in Austria and abroad. Priklopil committed suicide.






Kampusch had always refused to respond to claims that she had had sex with Priklopil, but in a German television interview on her 25th birthday last week said she had decided to reveal the truth because it had leaked out from police files.


The film, “3,096 Days” – based on Kampusch’s autobiography of the same name – soberly portrays her captivity in a windowless cellar less than 6 square metres (65 square feet) in area, often deprived of food for days at a time.


The emaciated Kampusch – who weighed just 38 kg (84 pounds) at one point in 2004 – keeps a diary written on toilet paper concealed in a box.


One entry reads: “At least 60 blows in the face. Ten to 15 nausea-inducing fist blows to the head. One strike with the fist with full weight to my right ear.”


The movie shows occasional moments that approach tenderness, such as when Priklopil presents her with a cake for her 18th birthday or buys her a dress as a gift – but then immediately goes on to chide her for not knowing how to waltz with him.


GREY AREAS


Antonia Campbell-Hughes, who plays the teenaged Kampusch, said she had tried to portray “the strength of someone’s soul, the ability of people to survive… but also the grey areas within a relationship that people don’t necessarily understand.”


The British actress said she had not met Kampusch during the making of the film or since. “It was a very isolated time, it was a bubble of time, and I wanted to keep that very focused,” she told journalists as she arrived for the Vienna premiere.


Kampusch herself attended the premiere, looking composed as she posed for pictures but declining to give interviews.


In an interview with Germany’s Bild Zeitung last week, she said: “Yes, I did recognize myself, although the reality was even worse. But one can’t really show that in the cinema, since it wasn’t supposed to be a horror film.”


The movie, made at the Constantin Film studios in Bavaria, Germany, also stars Amy Pidgeon as the 10-year-old Kampusch and Danish actor Thure Lindhardt as Priklopil.


“I focused mainly on playing the human being because… we have to remember it was a human being. Monsters do not exist, they’re only in cartoons,” Lindhart said.


“It became clear to me that it’s a story about survival, and it’s a story about surviving eight years of hell. If that story can be told then I can also play the bad guy.”


The director was German-American Sherry Hormann, who made her English-language debut with the 2009 move “Desert Flower”, an adaptation of the autobiography of Somali-born model and anti-female circumcision activist Waris Dirie.


“I’m a mother and I wonder at the strength of this child, and it was important for me to tell this story from a different perspective, to tell how this child using her own strength could survive this atrocious martyrdom,” Hormann said.


The Kampusch case was followed two years later by that of Josef Fritzl, an Austrian who held his daughter captive in a cellar for 24 years and fathered seven children with her.


The crimes prompted soul-searching about the Austrian psyche, and questions as to how the authorities and neighbors could have let such crimes go undetected for so long.


The film goes on general release on Thursday.


(Reporting by Georgina Prodhan, Editing by Paul Casciato)


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Cellar victim Kampusch raped, starved in film of ordeal






VIENNA (Reuters) – A new film based on the story of Austrian kidnap victim Natascha Kampusch shows her being repeatedly raped by the captor who beat and starved her during the eight-and-a-half years that he kept her in a cellar beneath his house.


Kampusch was snatched on her way to school at the age of 10 by Wolfgang Priklopil and held in a windowless cell under his garage near Vienna until she escaped in 2006, causing a sensation in Austria and abroad. Priklopil committed suicide.






Kampusch had always refused to respond to claims that she had had sex with Priklopil, but in a German television interview on her 25th birthday last week said she had decided to reveal the truth because it had leaked out from police files.


The film, “3,096 Days” – based on Kampusch’s autobiography of the same name – soberly portrays her captivity in a windowless cellar less than 6 square metres (65 square feet) in area, often deprived of food for days at a time.


The emaciated Kampusch – who weighed just 38 kg (84 pounds) at one point in 2004 – keeps a diary written on toilet paper concealed in a box.


One entry reads: “At least 60 blows in the face. Ten to 15 nausea-inducing fist blows to the head. One strike with the fist with full weight to my right ear.”


The movie shows occasional moments that approach tenderness, such as when Priklopil presents her with a cake for her 18th birthday or buys her a dress as a gift – but then immediately goes on to chide her for not knowing how to waltz with him.


GREY AREAS


Antonia Campbell-Hughes, who plays the teenaged Kampusch, said she had tried to portray “the strength of someone’s soul, the ability of people to survive… but also the grey areas within a relationship that people don’t necessarily understand.”


The British actress said she had not met Kampusch during the making of the film or since. “It was a very isolated time, it was a bubble of time, and I wanted to keep that very focused,” she told journalists as she arrived for the Vienna premiere.


Kampusch herself attended the premiere, looking composed as she posed for pictures but declining to give interviews.


In an interview with Germany’s Bild Zeitung last week, she said: “Yes, I did recognize myself, although the reality was even worse. But one can’t really show that in the cinema, since it wasn’t supposed to be a horror film.”


The movie, made at the Constantin Film studios in Bavaria, Germany, also stars Amy Pidgeon as the 10-year-old Kampusch and Danish actor Thure Lindhardt as Priklopil.


“I focused mainly on playing the human being because… we have to remember it was a human being. Monsters do not exist, they’re only in cartoons,” Lindhart said.


“It became clear to me that it’s a story about survival, and it’s a story about surviving eight years of hell. If that story can be told then I can also play the bad guy.”


The director was German-American Sherry Hormann, who made her English-language debut with the 2009 move “Desert Flower”, an adaptation of the autobiography of Somali-born model and anti-female circumcision activist Waris Dirie.


“I’m a mother and I wonder at the strength of this child, and it was important for me to tell this story from a different perspective, to tell how this child using her own strength could survive this atrocious martyrdom,” Hormann said.


The Kampusch case was followed two years later by that of Josef Fritzl, an Austrian who held his daughter captive in a cellar for 24 years and fathered seven children with her.


The crimes prompted soul-searching about the Austrian psyche, and questions as to how the authorities and neighbors could have let such crimes go undetected for so long.


The film goes on general release on Thursday.


(Reporting by Georgina Prodhan, Editing by Paul Casciato)


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Cellar victim Kampusch raped, starved in film of ordeal






VIENNA (Reuters) – A new film based on the story of Austrian kidnap victim Natascha Kampusch shows her being repeatedly raped by the captor who beat and starved her during the eight-and-a-half years that he kept her in a cellar beneath his house.


Kampusch was snatched on her way to school at the age of 10 by Wolfgang Priklopil and held in a windowless cell under his garage near Vienna until she escaped in 2006, causing a sensation in Austria and abroad. Priklopil committed suicide.






Kampusch had always refused to respond to claims that she had had sex with Priklopil, but in a German television interview on her 25th birthday last week said she had decided to reveal the truth because it had leaked out from police files.


The film, “3,096 Days” – based on Kampusch’s autobiography of the same name – soberly portrays her captivity in a windowless cellar less than 6 square metres (65 square feet) in area, often deprived of food for days at a time.


The emaciated Kampusch – who weighed just 38 kg (84 pounds) at one point in 2004 – keeps a diary written on toilet paper concealed in a box.


One entry reads: “At least 60 blows in the face. Ten to 15 nausea-inducing fist blows to the head. One strike with the fist with full weight to my right ear.”


The movie shows occasional moments that approach tenderness, such as when Priklopil presents her with a cake for her 18th birthday or buys her a dress as a gift – but then immediately goes on to chide her for not knowing how to waltz with him.


GREY AREAS


Antonia Campbell-Hughes, who plays the teenaged Kampusch, said she had tried to portray “the strength of someone’s soul, the ability of people to survive… but also the grey areas within a relationship that people don’t necessarily understand.”


The British actress said she had not met Kampusch during the making of the film or since. “It was a very isolated time, it was a bubble of time, and I wanted to keep that very focused,” she told journalists as she arrived for the Vienna premiere.


Kampusch herself attended the premiere, looking composed as she posed for pictures but declining to give interviews.


In an interview with Germany’s Bild Zeitung last week, she said: “Yes, I did recognize myself, although the reality was even worse. But one can’t really show that in the cinema, since it wasn’t supposed to be a horror film.”


The movie, made at the Constantin Film studios in Bavaria, Germany, also stars Amy Pidgeon as the 10-year-old Kampusch and Danish actor Thure Lindhardt as Priklopil.


“I focused mainly on playing the human being because… we have to remember it was a human being. Monsters do not exist, they’re only in cartoons,” Lindhart said.


“It became clear to me that it’s a story about survival, and it’s a story about surviving eight years of hell. If that story can be told then I can also play the bad guy.”


The director was German-American Sherry Hormann, who made her English-language debut with the 2009 move “Desert Flower”, an adaptation of the autobiography of Somali-born model and anti-female circumcision activist Waris Dirie.


“I’m a mother and I wonder at the strength of this child, and it was important for me to tell this story from a different perspective, to tell how this child using her own strength could survive this atrocious martyrdom,” Hormann said.


The Kampusch case was followed two years later by that of Josef Fritzl, an Austrian who held his daughter captive in a cellar for 24 years and fathered seven children with her.


The crimes prompted soul-searching about the Austrian psyche, and questions as to how the authorities and neighbors could have let such crimes go undetected for so long.


The film goes on general release on Thursday.


(Reporting by Georgina Prodhan, Editing by Paul Casciato)


Movies News Headlines – Yahoo! News





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Michael Imperioli to play tormented sensei on ‘The Office’






NEW YORK (TheWrap.com) – “Sopranos” veteran Michael Imperioli will join “The Office” for one of its final episodes, playing Dwight Schrute‘s tormented sensei.


Imperioli‘s Sensei Billy will find his patience tested by his exasperating student, who has apparently maintained a love of karate first demonstrated in the second season of the show.






He will go to unusual means to make Dwight (Rainn Wilson) go away.


“The Office” is quickly pairing off characters into romances and resolving plotlines as it approaches its finale after nine seasons.


Imperioli will appear in one episode of the series, but it won’t be the finale, NBC said.


The actor’s other recent roles included one on ABC’s “Detroit 187.”


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Madonna crowned top music earner in 2012 due to world tour






(Reuters) – Madonna was named the biggest money maker in music in 2012 on Friday, with a world tour helping her take home up to $ 34.6 million and highlighting the earning power of live performances as the industry increasingly goes digital.


The 54-year-old Material Girl topped Billboard Magazine’s annual list of 40 top money makers for the second time after earning an estimated $ 32 million – 93.5 percent of her revenue – from her 88-date “MDNA” tour, 2012′s biggest tour.






Madonna, who also led the list in 2008 due to tour income, was the only woman in the top 10 with last year’s winner, Taylor Swift, who fell to 15th place as she did not tour in 2012.


In second place in the music magazine’s list was Bruce Springsteen whose $ 33.4 million revenue was also primarily driven by touring, playing to sold-out stadiums and arenas.


Springsteen, who also released a No. 1 album, “Wrecking Ball,” last year, earned 92 percent of his revenue from live shows where strong merchandise sales also boosted takings.


Roger Waters, founder of Pink Floyd, came a distant third with earnings of $ 21 million largely from “The Wall Live” tour and Van Halen was fourth with $ 20 million after touring in support of their album “A Different Kind of Truth”.


“When it comes to making the biggest score, the most money always comes from high-paying live performances,” Billboard’s editorial analyst Glenn Peoples wrote in explaining the list.


“Ironically, the most popular touring artists are usually well past their peaks on the album sales charts.”


Country music veteran Kenny Chesney, the Dave Matthews Band, country’s Tim McGraw and Jason Aldean, and British band Coldplay came next on the list.


Canadian teen sensation Justin Bieber was 10th, earning almost $ 16 million of which about $ 10 million came from his sold-out “Believe” arena tour.


“The entire top 10 averaged 84.2 percent of their income from concerts, and the number would have been higher, if not for Justin Bieber’s mere 60.1 percent share at No. 10 dragging down the average,” said Billboard.


However touring was not vital for every act on the list such as Swift and Britain’s Adele.


Swift earned $ 12.7 million after selling the most digital tracks in 2012. She sold more than 3 million digital albums and 15.6 million digital tracks driven by her hit “We Are Never Ever Getting Back Together”.


Adele took the year out after having a baby but still earned nearly $ 14 million, putting her 11th in the rankings, due to continuing strong physical and digital sales for her album “21″.


Maroon 5, ranked 33rd in the list, took the highest share of streaming revenue which made 3.5 percent of its $ 7.2 million.


Billboard said streaming music online to paying customers has not caught on with older generations and was small in percentage terms but growing.


“Yet even in the coming years, as streaming services become a more important revenue source, possibly replacing digital downloads and CD sales, one thing is unlikely to change: concerts will have the greatest influence of top earners’ overall earnings,” said Peoples.


The list was compiled by Billboard editors using data for Boxscore archives of U.S. concert gross figures, Nielsen SoundScan data for sales, YouTube, and Nielsen BDS data.


The full list can be seen at http://billboard.com/moneymakers


(Reporting by Elaine Lies, Editing by Belinda Goldsmith)


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McCready’s ex: Anyone close could see it coming






HEBER SPRINGS, Ark. (AP) — Mindy McCready threatened to kill herself after losing custody of her sons earlier this month, yet she was allowed to leave a court-ordered drug rehabilitation program days before she apparently killed herself, her ex-boyfriend said Monday.


Billy McKnight, who was in a long, rocky relationship with McCready and who is the father of her oldest child, Zander, said the 37-year-old mother of two stayed in the in-patient substance abuse treatment center for about 18 hours before being allowed to walk free.






Authorities say McCready died in an apparent suicide Sunday at her home in Heber Springs, a vacation community about 65 miles north of Little Rock. Sheriff Marty Moss said McCready was found dead on the front porch where her boyfriend, musician David Wilson, died last month of a gunshot wound to the head. Investigators are investigating his death as a suicide, but haven’t yet determined the his cause of death.


McKnight, speaking to The Associated Press phone from Tampa, Fla., said McCready and Wilson had actually gotten engaged. He wondered how she was allowed to go free, given all the turmoil in her life.


“That was a big mistake on the part of whoever released her,” McKnight said. “… She was in a terrible state of mind. She doesn’t perform any more. She wasn’t working. She has two kids and her fiance was just killed. There’s no way she should be out by herself in a lonely house with nothing but booze and pills. That was a really, really bad mistake, and the end result is tragic.”


Neighbors reported hearing two shots Sunday afternoon when they called the Cleburne County Sheriff’s Office. Authorities found Wilson’s dog dead next to McCready’s body.


“Based on what we have found at the scene at this time, we do believe that she took the life of the dog that we are being told by family members belonged to Mr. Wilson before she took her own life,” Sheriff Marty Moss said.


The sheriff confirmed McCready’s two sons remained in foster care where they were at the time of her death. McKnight says he’s working with authorities to get custody of his son, Zander, and was not privy to what’s happening with infant boy Zayne, who was born to McCready and Wilson last year.


McCready’s sons were put in foster care and she was ordered into rehab earlier this month after McCready’s father expressed concern. He told a judge his daughter had stopped taking care of herself and her children after Wilson’s death and she was abusing alcohol and prescription drugs.


Moss said he expects McCready’s official cause of death will be released soon, but that “all indicators” point to a suicide. Her body has been sent to the state crime lab for autopsy.


McCready attempted suicide at least three times previously and her fragile state of mind was always a concern to family and friends who cared for her.


“This didn’t come as a surprise, although shocking,” McKnight said. “She was bitter. She was bitter at the world and she was bitter at herself, and she could just never shake it. She could never beat it.


___


AP writer Jeannie Nuss in Arkansas contributed to this report. Music Writer Chris Talbott wrote from Nashville, Tenn.


___


Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott


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Scott Brown joins Fox News






LOS ANGELES (TheWrap.com) – Fox News Channel has chosen another former politician to join its swelling ranks of contributors, and this one comes with TV-ready looks.


The recently ousted Republican Massachusetts senator – who paid his way through law school with modeling gigs – has signed on as a contributor. Brown, who will offer political commentary on several programs, will make his debut Wednesday night on “Hannity.”






Brown was elected to take deceased Sen. Edward Kennedy‘s seat in a 2010 special election. He sold himself to a left-leaning Massachussetts electorate by promising to be an independent thinker.


Brown was ousted by Elizabeth Warren in the most expensive Senate race of 2012. He recently opted not to seek the seat left behind by new Secretary of State John Kerry, but his future political ambitions are a source of frequent speculation in his state.


“I am looking forward to commenting on the issues of the day and challenging our elected officials to put our country’s needs first instead of their own partisan interests,” Brown said.


Senator Brown‘s dedication to out-of-the box thinking on key issues makes him an important voice in the country and we are looking forward to his contributions across all Fox News platforms,” Fox News’ executive vice president of programming Bill Shine said.


Prior to his senatorial win, Brown held a number of positions in Massachusetts state politics, including a six-year stint in the State Senate.


Brown’s other accomplishments include being named Cosmopolitan magazine’s “America’s Sexiest Man” contest in 1982, an honor which earned him a centerfold in the magazine.


In recent months, Fox News has been shuffling its contributors’ roster, parting ways with former vice presidential candidate Sarah Palin and former Clinton adviser Dick Morris. It has also picked up former “Man Show” host Adam Carolla and former Democratic congressman and presidential candidate Dennis Kucinich.


The network also re-upped former Bush adviser Karl Rove through the 2016 presidential election.


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Seth MacFarlane’s “Dads” series casts “Mindy Project” actor






LOS ANGELES (TheWrap.com) – Tommy Dewey has been cast in the Fox comedy “Dads,” from “Ted” team Seth MacFarlane, Alec Sulkin and Wellesley Wild.


Dewey, who’s appeared in a handful of episodes of Fox’s “The Mindy Project,” will play Warner, the co-owner of a successful videogame company and stable family man whose otherwise perfect life is cast into chaos when his feckless father Crawford moves in with him.






The series, which has been given the go-ahead for a six-episode season, revolves around Eli and Warner, two successful guys in their 30′s have their world turned upside down when their dads move in with them.


MacFarlane, Sulkin and Wild are executive producing the series, with Sulkin and Wild writing. Fuzzy Door Productions and Twentieth Century Fox Television are producing.


The series has also cast “The Suite Life on Deck” star Brenda Song, in the role of Veronica.


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Lady Gaga needs hip surgery, cancels remainder of tour






LOS ANGELES (Reuters) – Lady Gaga canceled the remainder of her “Born This Way Ball” concert tour to undergo hip surgery, promoters Live Nation said on Wednesday.


The 26-year-old singer announced she was suffering from an inflammation of the joints on Tuesday, but the tour operator said Gaga’s injuries were more serious than she realized.






“After additional tests this morning to review the severity of the issue, it has been determined that Lady Gaga has a labral tear of the right hip,” Live Nation said in a statement.


“She will need surgery to repair the problem, followed by strict downtime to recover. This, unfortunately, will force her to cancel the tour so she can heal,” it added.


Gaga has been on the road for two years, traveling across six continents.


On Tuesday, she postponed four U.S. shows saying she was suffering from synovitis that left her temporarily unable to walk. Synovitis is an inflammation of the joints that sometimes follows a sprain, strain or injury.


According to her website, the singer was due to play another 20 dates in the United States.


Live Nation said ticket holders would have their money refunded, starting on Thursday.


(Reporting By Jill Serjeant; Editing by Stacey Joyce)


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Nicole Kidman, Halle Berry, Reese Witherspoon, Sandra Bullock presenting at Oscars






LOS ANGELES (TheWrap.com) – Four former Best Actress winners will converge on stage at this year’s Oscar telecast, the show’s producers said Wednesday.


Halle Berry, Sandra Bullock, Nicole Kidman and Reese Witherspoon will present an award, although the show’s producers were mum about whether or not they will take the stage together. If they do, it may mean a return to a format that was deployed and favorably received during the 2009 broadcast.






During that show, former winners of acting awards appeared on stage together to give short speeches praising each of the nominees. That was revived in a slightly modified form in the 2010 telecast, in which co-stars or celebrity friends of the various nominees were called on to pay tribute before the winner was announced.


Traditionally, the previous winner of an acting award reads out the nominees and hands out the statue without assistance.


Berry won the Oscar for her performance as a grieving widow in “Monster’s Ball” (2001), Bullock for her work as a feisty housewife and football fan in “The Blind Side” (2009), Kidman for playing a depressive Virginia Woolf in “The Hours” (2002) and Witherspoon for channeling June Carter Cash in “Walk the Line” (2005).


Other previously announced Oscar presenters including Mark Wahlberg, Channing Tatum, Daniel Radcliffe and “Marvel’s The Avengers” cast members Robert Downey Jr., Samuel L. Jackson, Chris Evans, Jeremy Renner and Mark Ruffalo.


The Oscars will be hosted by Seth MacFarlane and will air on February 24.


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Director Panahi defies Iran ban to make another film






BERLIN (Reuters) – Iran‘s Jafar Panahi has defied a 20-year ban on filmmaking to secretly co-direct “Closed Curtain“, a multi-layered portrayal of how restrictions on his work and movement have brought on depression and even thoughts of suicide.


The movie, in competition at the Berlin film festival, has its premiere on Tuesday, but Panahi was not expected on the red carpet despite festival organizers saying the German government had requested he be allowed to travel.






His co-director and compatriot Kamboziya Partovi did attend a press conference along with actress Maryam Moghadam, but would not be drawn on what the consequences of making the movie could be for Panahi or others involved.


“Nothing has happened up until now,” he said, speaking through an interpreter. “We do not know what the future holds for us.”


Moghadam acknowledged she was taking a risk by acting in a project involving Panahi, a darling of the Western film festival circuit and best known for his 2000 movie “The Circle” and “Offside” released six years later.


His socially engaged films about issues such as women’s rights in Iran and support for the political opposition have made him a target of the Iranian authorities.


In 2010 he was banned from making films for 20 years and sentenced to six years in prison for “propaganda against the system”, although he is now under house arrest.


Moghadam, who has dual Swedish and Iranian nationality, told Reuters she would try to continue travelling to Iran, where she had family. “I am not the only one (taking risks),” she said.


“Closed Curtain” is the second picture Panahi has made in defiance of the ban, and it remains to be seen whether the 52-year-old faces further punishment for a movie that has drawn major attention in Berlin.


“This is Not a Film”, made in 2011, was reportedly smuggled out of the country on a USB stick hidden inside a cake.


EMPTY VILLA, FEAR, FRUSTRATION


“Closed Curtain” is set in an empty villa in Iran, presumably beside the Caspian Sea.


A man, played by Partovi, arrives with his dog, and proceeds to draw the curtains and black out the windows, sealing himself off from the world outside and preventing the authorities – real and imagined – from seeing what was happening.


When the dog accidentally switches on the television, we see footage of stray dogs being rounded up and killed, explaining why he had to be smuggled in inside a bag and kept indoors.


A young man and woman, on the run from the police, burst in and the woman stays, but her existence and that of the man becomes unclear as viewers must decide if they are fictional characters in Panahi’s script or actual people.


The layers of reality multiply as Panahi himself arrives, and posters advertising some of his past movies are revealed beneath sheets before being covered up again.


In the allegory of Panahi’s life under house arrest and inability to work freely, we see him walking into the sea at one point, a reference to taking his own life.


“He was not constantly thinking about suicide, no, because then he wouldn’t have been able to make the film,” Partovi said. “But if I imagine myself unable to work and just sitting at home, then I am sure I would start to think about suicide.”


According to Partovi, “Closed Curtain” was made out of a desire to express oneself, even though it was unlikely to be seen by people inside Iran.


“It’s difficult to work, but not being able to work is even more difficult, and especially when you are at the height of your career. You become depressed, and I believe this is shown in the film and it comes through.”


The mood is one of frustration, fear and anger, as young people are rounded up for having parties and drinking alcohol.


“She is a young woman like many other women in my country,” Moghadam said of her character Melika.


“She is a symbol of many other young women who struggle,” added the actress, who was wearing a hat to cover her hair.


She said her character represented “the dark side of his (Panahi’s) mind … that part that doesn’t hope any more and wants to give up.”


(Reporting by Mike Collett-White)


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Average movie ticket price hits record high






LOS ANGELES (TheWrap.com) – Movie-going got more expensive last year with ticket prices hitting record highs in 2012, the National Association of Theatre Owners said Monday.


The average ticket price hit $ 7.96, a three-cent bump from last year, but still the biggest annual number when not adjusted for inflation.






For the fourth quarter of 2012, 3D releases, such as “The Hobbit: An Unexpected Journey” and “Rise of the Guardians,” pushed ticket prices to $ 8.05. That was a 3.4 percent bump from the $ 7.78 cents audiences shelled out on average over the three months ending in September.


It was not, however, a record. In the second quarter of 2012, ticket prices hit unprecedented levels, averaging $ 8.12.


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All eyes on Frank Ocean as Grammy Awards kick off






LOS ANGELES (AP) — Everybody’s thinkin’ about Frank Ocean.


Ocean is a cause celebre and the man with the momentum as Sunday’s Grammy Awards kicked off with pre-telecast wins by Rihanna and Mumford & Sons. One of six top nominees with six nominations apiece, the 25-year-old R&B singer turned cultural talking point will have the music world’s attention.






It remains to be seen if it will be the “Thinkin Bout You” singer’s night, but there’s no question he’s dominated the discussion so far. Already a budding star with a gift for building buzz as well as crafting songs, Ocean was swept up by something more profound when he told fans his first love was a man last fall as he prepared to release his major-label debut, “channel ORANGE.”


It was a bold move and one that could have submarined his career before it really even got started. Instead, everyone from Beyonce to the often-homophobic R&B and rap communities showed public support. It was a remarkable moment.


“It speaks to the advancements of our culture,” renowned producer Rick Rubin said. “It feels like the culture’s moving forward and he’s a representative of the new acceptance in the world for different ideas, which just broadens (our experience), makes the world a better place.”


A recent altercation in a parking lot with Chris Brown only focused more attention on Ocean. Ocean says Brown was the aggressor; both are competing against each other in one of the Grammy categories.


Ocean is up for the major awards best new artist, album of the year and record of the year when the show airs live on CBS at 8 p.m. EST from the Staples Center, sharing top-nominee billing with fun., Dan Auerbach of The Black Keys, Mumford & Sons, Jay-Z and Kanye West.


The Grammy pre-telecast awards show got under way Sunday afternoon at the Nokia Theatre with 70 trophies up for grabs, including rock, pop, rap and country categories. Rihanna‘s “We Found Love,” featuring Calvin Harris, won the day’s first award, short form music video. Mumford & Sons took their first Grammy, winning along with Old Crow Medicine Show and Edward Sharpe and the Magnetic Zeros for their long form video documentary “Big Easy Express.”


Celebrities also began rolling down the red carpet in the early afternoon, but it remained to be seen if any would try to skirt CBS’s mandate that stars dress appropriately with butts, breasts and other sensitive areas covered adequately.


“”I think it’s just, you know, we should always stay classy and dress according to the event that’s being held,” Ashanti said on the red carpet. “So I don’t think people should be limited so much and told what you can and cannot do. But, you know, you do have to have a certain class and prestige about yourself.”


Ocean might be riding a wave toward some of the night’s biggest honors, but R&B and hip-hop performers have had a spotty history at the Grammys recently when it comes to major awards.


Only one R&B act has won album of the year this century, and it’s hard to even call him just an R&B act given his legend, artistic scope and material: Ray Charles for his “Genius & Friends,” an all-star collaboration that was honored posthumously.


Also limiting Ocean‘s chances for a clean sweep are his fellow top nominees. Fun. became just the second act to sweep nominations in all four major categories with a debut album, equaling Christopher Cross‘ 1981 feat. Like Cross’ “Sailing,” the New York-based pop-rock band has ridden along on the crest of an inescapable song: “We Are Young,” featuring Janelle Monae.


Cross won five Grammys, sweeping the major awards. Fun. likely will have a much harder time piling up that number of victories because of the buzz surrounding the group’s competitors. It’s not just Ocean who has people talking.


London-based folk-rockers Mumford & Sons had one of the top-selling albums of the year with “Babel” and already has a history with The Recording Academy’s thousands of voters, having been nominated for major awards the year prior. Also, The Black Keys have a winning track record at the Grammys.


And don’t count out West and Jay-Z, who were shut out of the major categories but remain very much in voters’ minds.


Jack White’s “Blunderbuss” competes with fun.’s “Some Nights,” Ocean‘s “channel ORANGE,” Mumford’s “Babel” and The Keys’ “El Camino” for the night’s top award, album of the year.


Gotye’s “Somebody That I Used To Know,” featuring Kimbra, Taylor Swift’s “We Are Never Ever Getting Back Together” and Kelly Clarkson’s “Stronger (What Doesn’t Kill You)” join the fun., Ocean and Black Keys entries in record of the year.


Fun. and Clarkson also are nominated for song of the year along with Ed Sheeran’s “The A Team,” Carly Rae Jepsen’s “Call Me Maybe” and Miguel’s “Adorn.”


And rounding out the major categories, fun., Ocean, Alabama Shakes, Hunter Hayes and The Lumineers are up for best new artist.


Those major nominees figure prominently on the 3 1/2-hour telecast, broadcast live on CBS.


Swift will kick things off with a show-opening performance. Fun. and Ocean will take the stage. Others scheduled to perform include Justin Timberlake, Carrie Underwood, Clarkson, White and Juanes.


There will be no shortage of mashups the Grammys have become famous for, either. Elton John, Mavis Staples, Mumford, Brittany Howard, T Bone Burnett and Zac Brown are saluting the late Levon Helm, who won the Americana Grammy last year a few months before his death. The Keys will join Dr. John and the Preservation Hall Jazz Band on stage. Sting, Rihanna and Bruno Mars will perform together. Other team-ups include Miranda Lambert and Dierks Bentley, and Alicia Keys and Maroon 5.


___


AP writer Nekesa Mumbi Moody in Los Angeles contributed to this report.


___


Online:


http://grammy.com


___


Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott.


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Kristen Wiig joins “Anchorman” sequel






LOS ANGELES (TheWrap.com) – Kristen Wiig will contribute to the lunacy in “Anchorman: The Legend Continues.”


Director Adam McKay announced on Facebook that the “Bridesmaids” star had joined the cast of the follow-up to the 2004 hit.






Kristen Wiig is officially on board for Anchorman 2,” McKay wrote. “Couldn’t be more excited.”


TheWrap first reported that Wiig was eyeing the project in December. McKay did not say what role she would play in the film, but sources told TheWrap at the time that she would play the love interest of Brick Tamland, the dim-witted weatherman played by Steve Carell in the first movie.


Will Ferrell, Christina Applegate and Paul Rudd are all reprising their roles in the sequel, with Judd Apatow once again producing the picture.


“Anchorman: The Legend Continues” will hit theaters on December 20, 2013.


The “Saturday Night Live” vet, who earned an Oscar nomination for Best Screenplay for 2012′s breakout hit “Bridesmaids,” will star opposite Ben Stiller in the remake of “The Secret Life of Walter Mitty” and will lend her voice to “Despicable Me 2.”


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NFL says no indication Beyonce show caused Super Bowl outage






NEW ORLEANS (Reuters) – The National Football League was still working with New Orleans officials on Monday to determine what caused the power outage at Sunday’s Super Bowl at the Superdome, so far dismissing any connection with the Beyonce halftime show.


With a record U.S. television audience watching along with viewers in 180 countries, about half the stadium lights went dark early in the second half of the game, in which the Baltimore Ravens defeated the San Francisco 49ers, 34-31.






NFL commissioner Roger Goodell told reporters on Monday an investigation was under way to determine the cause of the 35-minute disruption but one possible explanation had already been eliminated.


“There’s no indication at all that this was caused by the halftime show,” Goodell said. “I know that’s out there, that Beyonce’s halftime show had something to do with it. That is not the case from anything we have at this point.”


Entergy Corp, the utility providing power to the Superdome, said its distribution and transmission feeders were serving the Superdome at all times.


Early indications were that the outage resulted from an abnormality in the Superdome’s power system but it was too early to speculate on what went wrong, said Doug Thornton, senior vice president of the Superdome’s management company, SMG.


A piece of equipment designed to monitor electrical load sensed an abnormality in the system where the Superdome equipment intersects with Entergy’s feed into the building, triggering an automatic cut in power, SMG and Entergy said in a joint statement.


There was never any concern the power could not be restored, but it took time because of the size of the stadium and the complexities of the power system, Thornton said.


“We had people in place that could quickly work to restore power. We had experts on site, as we normally do when we have big events like this, our electrician, our electrical consultants were there and we were able to quickly work on that,” Thornton said.


“There were no injuries, people remained calm, we had a pre-programmed announcement that was actually played. These are things that we actually drilled for.”


None of the players or coaches said the stoppage had any impact on the game, and Goodell said the power problem would not adversely affect future bids by New Orleans to stage the Super Bowl, the United States’ most-watched sports event.


“I fully expect that we will be back here for Super Bowls,” Goodell said. “I hope we will be back. We want to be back … I don’t think this will have any impact at all on what I think will be remembered for one of the greatest Super Bowl weeks.”


(Editing by Daniel Trotta and Dale Hudson)


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Zombie love story “Warm Bodies” heats up Super Bowl weekend






LOS ANGELES (Reuters) – “Warm Bodies,” a romantic comedy featuring a warm-hearted zombie, lured teenage girls to the theater, collecting $ 20 million in ticket sales in the U.S. and Canada to take the box office title on a weekend dominated by Super Bowl parties and football watching.


Playing in more than 3,000 theaters, the odd-pairing of a pale-faced zombie with his breathing girlfriend faced little competition among new films and easily mauled last weekend’s winner “Hansel and Gretel,” an updated version of the classic fairy tale with witch-hunting siblings. The film collected $ 9.2 million this weekend, according to studio estimates.






The weekend’s other widely released newcomer, Warner Brothers’ “Bullet to the Head,” starring 66-year old Sylvester Stallone as a tattooed hitman, collected $ 4.5 million for sixth place.


Two weeks earlier, another aging action star, Arnold Schwarzenegger had a feeble opening in his own shoot-em-up, “The Last Stand.”


Based on a first time novel by Seattle writer Isaac Marion, “Warm Bodies” was produced for a little more than $ 30 million by Lionsgate’s Summit Entertainment, the studio that also produced the mega-blockbuster “Twilight” series.


The film stars 24-year-old British actor Marcus Brewer as the pale, stiff-walking zombie R, one of the few zombies capable of thought in a plaque ravaged world.


“We were above expectations going into the holiday weekend,” says David Spitz, Lionsgate’s executive vice president and general sales manager.


Spitz predicted that the film, which he referred to as a “rom-zom-com” would benefit from the upcoming long weekend in the U.S. that coincides with Valentine’s Day and Presidents’ Day.


Benefiting from the buzz following Oscar nominations for each of its four stars, “Silver Linings Playbook” was third with $ 8.1 million as it continued to open in more theaters and is now showing at more than 2,600 locations, according to the movie site Hollywood.com


Universal’s Pictures’ low-budget horror film “Mama”, starring Jessica Chastain, continued its improbable ticket-selling run, with $ 6.7 million to rank fourth. It grossed more than $ 58 million in the two weeks since its release.


Also benefiting from its Oscar buzz, the Osama Bin Laden hunt movie “Zero Dark Thirty,” had ticket sales of $ 5.3 million and has now surpassed $ 77 million domestically, according to the box office division of Hollywood.com. The film was nominated for five Academy Awards, including Best Picture and Best Actress for Jessica Chastain‘s starring role.


“Django Unchained,” director Quentin Tarantino‘s western starring Jamie Foxx has a bounty-hunting former slave, passed $ 150 million in overall ticket sales and collected $ 3 million during the weekend. It was also nominated for five Oscars, including Best Picture and for Christoph Waltz‘s supporting role.


Warm Bodies” surpassed industry projections of $ 18 million, and benefited from an aggressive marketing campaign that started last summer and included trailers attached to “The Twilight Saga: Breaking Dawn” and 60-second commercials on AMC channel’s cult zombie hit “The Walking Dead.”


(Reporting by Ronald Grover and Andrea Burzynski; Editing by Sandra Maler)


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CNN Temporarily Blacked Out in China During Segment on NYT Hacking






LOS ANGELES (TheWrap.com) – Chinese censors temporarily blocked CNN International’s broadcasting signal Thursday night, during a segment about Chinese hackers infiltrating the New York Times’ computer network, a CNN spokeswoman told TheWrap.


On Wednesday night, the Times reported that it had suffered four months of persistent cyber attacks after publishing a front-page story about the wealth amassed by Chinese Prime Minister Wen Jiabao‘s family.






CNNI reporter Hala Gorani aired a segment on her show about the hacking on Thursday. Her entire six-minute segment was blacked out in China.


It wasn’t the first time CNN faced the wrath of Beijing’s censors. Last May, Anderson Cooper‘s report on a blind dissident was blocked in the country.


Nor is it the first time CNN has been shunned by the Chinese.


In 2009, a 23-year-old student name Rao Jin started a website called Anti-CNN.com, on which he skewered the network and other Western media outlets for critical coverage of the Chinese government’s actions in Tibet.


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“30 Rock” closes its doors with a sentimental farewell






LOS ANGELES (Reuters) – Emmy-winning TV comedy “30 Rock” bowed out after seven seasons on Thursday with bittersweet farewells but giving all its zany characters a happy ending.


The satirical show-within-a-show about the inside workings of a fictional television sketch series saw Tina Fey‘s hapless writer Liz Lemon try to round up her unruly cast for a last hurrah.






Along the way, unpredictable sketch star Tracy Jordan (Tracy Morgan) causes chaos, self-centered actress Jenna Maroney (Jane Krakowski) attempts to find her true calling on Broadway, and producer Pete Hornberger (Scott Adsit) finally achieves his dream to disappear without a trace.


The show’s simpleton page-turned-janitor Kenneth Parcell (Jack McBrayer) finds himself in his element with his sudden promotion to head of television network NBC.


But under the jokes, the cast showed some real emotion in Thursday’s hour-long series finale.


“There’s a reason people don’t say honest goodbyes. It’s because when stuff is coming to an end, people freak out and they act crazy,” Liz tells Tracy.


Despite small audiences, “30 Rock” became a cult favorite, while Liz has been a hero for single geeky women as she tackled the male-dominated world of network television, with phrases such as “what the what,” “blerg” and “I want to go to there” becoming popular.


The show’s finale comes after perpetual unlucky-in-love Liz finally got her happy ending earlier in the season with her marriage to hot dog vendor Criss Chross (James Marsden) and they adopt two children.


But after grappling with the trials of being a stay-at-home mother, Liz and Criss agree to swap roles and she returns to work.


Liz also finds peace in her dysfunctional relationship with suave, egotistical network executive Jack Donaghy (played by Alec Baldwin).


Thursday’s show also saw the return of guest stars Julianne Moore and Salma Hayek as Jack’s ex-girlfriends, Conan O’Brien as one of Liz’s ex-boyfriends, along with appearances from “Law & Order: Special Victims Unit” stars Ice-T and Richard Belzer and Nancy Pelosi, the Democratic leader in the U.S. House of Representatives, as herself.


30 Rock” was inspired by Fey’s stint as head writer for “Saturday Night Live.” It has won multiple Emmys since its 2006 premiere but has always suffered from low audience ratings.


In the show’s prime in 2008-2009, an average of 7.5 million viewers tuned in each week, but the final season has garnered an average of 4 million viewers per episode.


In honor of the show’s finale, ice cream brand Ben & Jerry’s announced a new flavor, the “Liz Lemon Greek Frozen Yogurt,” which will be available this spring.


30 Rock,” which is aired in more than 20 countries around the world, has skyrocketed Fey’s career, and she has appeared in films including “Baby Mama,” “Date Night” and the upcoming “Admission.”


Both Fey and Baldwin won the best TV comedy actor and actress accolades at the Screen Actor’s Guild awards last Sunday, with Baldwin tweeting, “What a nice note for @nbc30rock to end on.”


(Reporting by Piya Sinha-Roy, editing by Jill Serjeant and Lisa Shumaker)


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A Minute With: Rapper T.I. dips into comedy in “Identity Thief”






LOS ANGELES (Reuters) – Rapper Tip “T.I.” Harris has seen and done it all – three Grammy Awards, a novel, time in jail, a fashion line, TV reality show, businessman and several movies.


Now the Atlanta-based singer is dipping into comedy, appearing in the film “Identity Thief” as an armed enforcer on the trail of a character played by Melissa McCarthy who is on the run from many of those she’s swindled.






T.I., 32, sat down with Reuters ahead of the movie’s February 8 release to talk about the film, what’s left on his to-do list, and his personal views on gun control.


Q: How did you wind up in a comedic film?


A: “I met with (director) Seth (Gordon) and learned he was the director of one of my favorite comedies, ‘Horrible Bosses.’ I asked him how would this movie compare to ‘Horrible Bosses’ and he said it’s going to be better. I said, ‘I’m in.’”


Q: Were you OK taking a supporting role rather than a lead?


A: “I actually enjoyed the fact that all of the heavy lifting was not on my shoulders. It was Jason (Bateman) and Melissa’s show, so the stage was set for me to not screw it up, you know what I mean?”


Q: Last year you appeared on television’s “Hawaii Five-O” and “Boss.” Do you have role models of hip-hop stars who have successfully crossed over to acting?


A: “Will Smith and Ice Cube. Looking at the roles Cube has been able to acquire, he created those opportunities for himself. So I think I could take that approach.”


Q: Is there a certain perception of you out there that might hinder you from being taken seriously as an actor?


A: “I think people might wonder whether or not T.I. can be anything other than T.I., so it’s constantly having to reassure people that I’m able to do what I already know I can do.”


Q: For some, T.I. is a successful recording artist and for others he’s someone who had several stints in jail on drugs and weapons charges. Can you confidently say that the past is the past?


A: “I’m not gonna say anything. It’s day by day, you know what I’m saying? I’m saying today this is how I am, this is where I am. And tomorrow hopefully will be better than today.”


Q: In 2011 after your last prison term, you showed a softer side by starring in the VH1 reality series “T.I. and Tiny: The Family Hustle,” with your wife and six kids. Was that an attempt to right your past transgressions?


A: “Nah. I think it’s a showcasing of who I am today. I don’t think that it any way diminishes the mistakes of yesterday. It just makes a correction if people assume that the mistakes of yesterday are ever-present today. It gives people a stage of truth and knowledge to judge from. So if you must judge, at least you can judge from fact.”


Q: You’ve just released your eighth album, “Trouble Man II: He Who Wears the Crown.” You also have a your own urban fashion line, A.K.O.O. What else do you need to check off your to-do list?


A: “Just to remain relevant and meaningful to the cool young consumer of today. The cool kids are out there being admired by others in their peer group, so you want to find ways to continue to put yourself on their minds.”


Q: How do you do that?


A: “(Social media) is a big aspect for those kids. … So with Instagram, if you take pictures it has to be a picture worthy of showing. If you say something on Twitter, it has to be something that’s worthy of listening to.”


Q: With gun control being a hot-button topic today, and with your own experiences with firearms, what are your thoughts on gun ownership?


A: “I can’t possess a firearm (due to previous convictions), so whether they make them illegal or not is gonna be the same thing for me. But I see a need for them. I’ve been in circumstances where I’ve had them every day and nothing happened. I’ve been in circumstances where I didn’t have them, and I needed them. In certain areas of society, having a firearm is just as common as having bottled water.”


Q: In what way?


A: “If you’re a shopkeeper, a barbershop owner, a convenience store owner and you handle cash in and out of this area, if everyone knows that you don’t have a firearm, then you are basically prey. In these areas, bullets are just as common as sticks of gum, you know what I’m saying? So I think I speak for those people.”


(Reporting by Zorianna Kit; Editing by Jill Serjeant and Will Dunham)


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Lindsay Lohan could face jail after March trial in California






LOS ANGELES (Reuters) – Actress Lindsay Lohan will stand trial on March 18 on charges she lied to California police about a June car crash and violated probation, raising the possibility she could be sent back to jail.


A judge in Los Angeles on Wednesday set the trial date on charges related to the car crash and said the court will hold a hearing at the same time on whether Lohan in the incident violated probation from a 2011 jewelry theft.






The star of the movie “Mean Girls,” who has been in and out of rehab and jail since 2007, wore a black sleeveless dress and looked tired at the brief court hearing. She arrived in Los Angeles late Tuesday from New York and has abandoned her longtime lawyer in favor of new attorney Mark Heller.


Lohan has pleaded not guilty to three misdemeanor charges of reckless driving, lying to police and obstructing police when she said she was not behind the wheel of her sports car, which smashed into a truck in Santa Monica, California in June.


Lohan, 26, left court without speaking to the media.


The former “Parent Trap” child star has been in and out of trouble since a 2007 arrest for drunk driving and cocaine possession.


Sautner warned Lohan that she could be found in violation of probation even if she is acquitted on charges connected to the car crash because the standard of proof is lower.


Lohan was ordered to appear at Wednesday’s hearing because she decided to switch lawyers, firing longtime attorney Shawn Holley this month.


She was arrested in New York on a misdemeanor assault charge on the same day in November that the Santa Monica car crash charges were filed. The Manhattan district attorney‘s office has not filed a criminal complaint in the assault case.


Lohan’s appearance in Los Angeles had been in doubt after Heller wrote to the court earlier this week saying was suffering from an upper respiratory infection and could not appear.


“Glad to see you’re feeling better,” Judge Stephanie Sautner told Lohan at the hearing.


(Reporting by Eric Kelsey, editing by Jill Serjeant and Cynthia Osterman)


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